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CHOREOGRAPHY | Stephen Mills
MUSIC | Antonín Dvořák, Bryce Dessner
Commissioned by Dr. Rosanne Butera, Chiropractor

Following the success of POE / A Tale of Madness, Stephen Mills presents a World Premiere in two parts! We celebrate the arrival of the season of wildflowers and renewal as Stephen Mills shares a pair of new works.

The first work is set to Czech composer Antonín Dvořák’s “String Quartet No. 12 in F Major, Op. 96.” Nicknamed the American Quartet, Dvořák wrote this piece while enjoying a summer vacation in Spillville, Iowa. Completed in only thirteen days, this was Dvořák’s second attempt at writing a quartet in F major. Featuring live accompaniment by the Austin Symphony Orchestra, the moving melodies of Dvořák’s composition evoke the exuberant feelings of springtime.

The second piece on the program features the music of contemporary composer and Grammy award-winning artist Bryce Dessner: guitarist, keyboardist, and songwriter for his band, The National. Called “a vital and rare force in new music,” Dessner’s compositions have been performed by Orchestre de Paris, BBC Symphony Orchestra, the San Francisco Symphony, and many more. He has worked with a variety of artists, including Philip Glass, Paul Simon, Bon Iver, and Taylor Swift on her song “Coney Island.” Dessner’s “Concerto for Two Pianos,” written for and first performed by Katia and Marielle Labèque, premiered in 2018 with the London Philharmonic Orchestra. Dessner regularly tours with his band, including a recent performance at Austin’s Moody Center in November of 2023.

Love’s Gentle Spring unites the beauty of spring, music, and movement harmoniously in concert. 

Directions

3 Performances:

Friday, March 28 at 7:30 p.m.
Saturday, March 29 at 7:30 p.m.
Sunday, March 30 at 3:00 p.m.

Why we recommend purchasing directly from Ballet Austin

Please visit our FAQs page for information about parking, discounts, and more.

Ballet Austin strives to share the excitement and beauty of live professional dance with as many community members as possible. *As a 501c3 nonprofit organization, Ballet Austin raises funds throughout the year to help defray part of the production costs in order to bring live performances to you and keep the price of our tickets as low as possible. The following information is intended to assist you as a consumer and help you have the best experience possible.

When you purchase directly from Ballet Austin:

  • You are assured your tickets are valid, and your seats are reserved for you/your family/your party.
  • You have access to the most affordable ticket prices.*  Ballet Austin tickets can range between $20 – $125 dollars, depending on location. If you are being asked to pay more per ticket, you are NOT buying from Ballet Austin.
  • You have the flexibility to exchange your ticket/s to another performance for a small handling fee, as tickets remain available.

If you choose to purchase Ballet Austin tickets from sources other than Ballet Austin, we recommend that you:

  • Never pay cash or use apps such as Venmo to purchase tickets.
  • Verify performance dates/times and check for sold-out performances BEFORE purchasing from a third-party seller or service by visiting the Ballet Austin website.
  • Check the Long Center’s Dell Hall seating map to confirm the existence of the seats being offered to you.  

NOTE: Issues related to tickets purchased from a third-party seller will need to be discussed with that company. Ballet Austin will have no record of these sales.

Our goal for each Ballet Austin performance is to create wonderful, lasting memories for you, your family, and your friends. If you have questions, let us help you by contacting our box office at 512.476.2163 or by email at boxoffice@balletaustin.org. We look forward to seeing you soon.

GET TICKETS NOW! $20 – $105

CHOREOGRAPHY | Stephen Mills
MUSIC | Antonín Dvořák, Bryce Dessner 

About Love's Gentle Spring

Following the success of POE / A Tale of Madness, Stephen Mills presents a World Premiere in two parts! We celebrate the arrival of the season of wildflowers and renewal as Stephen Mills shares a pair of new works.

The first work is set to Czech composer Antonín Dvořák’s “String Quartet No. 12 in F Major, Op. 96.” Nicknamed the American Quartet, Dvořák wrote this piece while enjoying a summer vacation in Spillville, Iowa. Completed in only thirteen days, this was Dvořák’s second attempt at writing a quartet in F major. Featuring live accompaniment by the Austin Symphony Orchestra, the moving melodies of Dvořák’s composition evoke the exuberant feelings of springtime.

The second piece on the program features the music of contemporary composer and Grammy award-winning artist Bryce Dessner: guitarist, keyboardist, and songwriter for his band, The National. Called “a vital and rare force in new music,” Dessner’s compositions have been performed by Orchestre de Paris, BBC Symphony Orchestra, the San Francisco Symphony, and many more. He has worked with a variety of artists, including Philip Glass, Paul Simon, Bon Iver, and Taylor Swift on her song “Coney Island.” Dessner’s “Concerto for Two Pianos,” written for and first performed by Katia and Marielle Labèque, premiered in 2018 with the London Philharmonic Orchestra. Dessner regularly tours with his band, including a recent performance at Austin’s Moody Center in November of 2023.

Love’s Gentle Spring unites the beauty of spring, music, and movement harmoniously in concert. 

Long Center Dell Hall

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1 hour 49 minutes

including two 20-minute intermissions

Three Performances:

Friday, March 28 at 7:30 p.m.
Saturday, March 29 at 7:30 p.m.
Sunday, March 30 at 3:00 p.m.

Why we recommend purchasing directly from Ballet Austin

Please visit our FAQs page for information about parking, discounts, and more.

Ballet Austin strives to share the excitement and beauty of live professional dance with as many community members as possible. *As a 501c3 nonprofit organization, Ballet Austin raises funds throughout the year to help defray part of the production costs in order to bring live performances to you and keep the price of our tickets as low as possible. The following information is intended to assist you as a consumer and help you have the best experience possible.

When you purchase directly from Ballet Austin:

  • You are assured your tickets are valid, and your seats are reserved for you/your family/your party.
  • You have access to the most affordable ticket prices.*  Ballet Austin tickets can range between $20 – $125 dollars, depending on location. If you are being asked to pay more per ticket, you are NOT buying from Ballet Austin.
  • You have the flexibility to exchange your ticket/s to another performance for a small handling fee, as tickets remain available.

If you choose to purchase Ballet Austin tickets from sources other than Ballet Austin, we recommend that you:

  • Never pay cash or use apps such as Venmo to purchase tickets.
  • Verify performance dates/times and check for sold-out performances BEFORE purchasing from a third-party seller or service by visiting the Ballet Austin website.
  • Check the Long Center’s Dell Hall seating map to confirm the existence of the seats being offered to you.  

NOTE: Issues related to tickets purchased from a third-party seller will need to be discussed with that company. Ballet Austin will have no record of these sales.

Our goal for each Ballet Austin performance is to create wonderful, lasting memories for you, your family, and your friends. If you have questions, let us help you by contacting our box office at 512.476.2163 or by email at boxoffice@balletaustin.org. We look forward to seeing you soon.

GET TICKETS NOW! $20-$105

VIDEO GALLERY

Videos by Paul Michael Bloodgood & Jazz Collins

VIDEO GALLERY

Videos by Paul Michael Bloodgood

ENJOY THE AUDIENCE ACTIVITIES

Footlights Sponsor

FOOTLIGHTS

Footlights is your pre-show behind-the-scenes look into what you’ll see when the curtain goes up! Learn about the production as members of the Ballet Austin Education staff share the stories and inspiration behind the work.

FREE for all Ticket Holders

Mezzanine Level, open seating

One-hour before showtime

Length of program: Approximately 25 minutes

Behind the Ballet! Sponsor

BEHIND THE BALLET!

Ballet Austin’s self-guided, interactive, discovery zone featuring all you want to know … before the show!

Behind the Ballet! is our interactive discovery lounge (like a walk-through pop-up museum) hosted by Ballet Austin’s Education Department. It has multiple stations that include everything from pointe shoes, costumes, music, and more! Behind the Ballet! changes for every production, so even if you’ve been before, be sure to visit again!

FREE for all Ticket Holders

Kodosky Lounge (2nd-Floor Mezzanine Level)

90 minutes before showtime & during intermission

POSE & POST PHOTO OPPROTUNITIES

Commemorate a fun day at the ballet at any of our photo stations! Be sure to tag us @BalletAustin and use #HeartsDesireATX! Photo stations are available 90 minutes before showtime

Three Locations:

  • Gallery 701 (Mezzanine Level)
  • Dell Lobby (Orchestra Level)
  • Outside on the H-E-B Terrace (Orchestra Level)

90 minutes before showtime & during intermission

ENCORE

Encore is a post-show conversation that gives the audience the opportunity to ask questions directly to Artistic Director Stephen Mills and invited artists. Hosted by Ballet Austin’s Education Department, audience members can either listen from their seats, or make their way to the Orchestra section if they have a question for the artists. Microphones will be set up in the Orchestra level aisles for a Q&A between audience members and the artists of the production.

FREE for all Ticket Holders

Orchestra Level, open seating

Immediately following all performances

GET TICKETS NOW! $20-$105

ENJOY THE AUDIENCE ACTIVITIES

Click to expand

Footlights is your pre-show behind-the-scenes look into what you’ll see when the curtain goes up!

Learn about the production as members of the Ballet Austin Education staff share the stories and inspiration behind the work.

FREE for all Ticket Holders

Mezzanine Level, open seating

One-hour before showtime

Length of program: Approximately 25 minutes

Footlights Sponsor

Ballet Austin’s self-guided, interactive, discovery zone featuring all you want to know … before the show!

Backstage Pass! is our interactive discovery lounge (like a walk-through pop-up museum) hosted by Ballet Austin’s Education Department. It has multiple stations that include everything from pointe shoes, costumes, music, and more!

It has multiple stations that include everything from pointe shoes, costumes, music, and more! Backstage Pass! changes for every production, so even if you’ve been before, be sure to visit again!

FREE for all Ticket Holders

Kodosky Lounge (2nd-Floor Mezzanine Level)

90 minutes before showtime & during intermission

Backstage Pass! Sponsor

Commemorate a fun day at the ballet at any of our photo stations! Be sure to tag us @BalletAustin and use #HeartsDesireATX!

Three Locations:

  • Gallery 701 (Mezzanine Level)
  • Dell Lobby (Orchestra Level)
  • Outside on the H-E-B Terrace (Orchestra Level)

90 minutes before showtime & during intermission

Encore is a post-show conversation that gives the audience the opportunity to ask questions directly to Artistic Director Stephen Mills and invited artists.

Hosted by Ballet Austin’s Education Department, audience members can either listen from their seats, or make their way to the Orchestra section if they have a question for the artists. Microphones will be set up in the Orchestra level aisles for a Q&A between audience members and the artists of the production.

FREE for all Ticket Holders

Orchestra Level, open seating

Immediately following all performances

MEET THE ARTISTS

STEPHEN MILLS
Choreography

Biography

Known for his innovative and collaborative choreographic projects, Stephen Mills has created over 60 premieres for Ballet Austin and has works in the repertoires of companies across the United States and around the world.

His inaugural season as artistic director in 2000 attracted national attention with his world-premiere production of Hamlet, hailed by Dance Magazine as “… sleek and sophisticated.” The Washington Post recognized Ballet Austin as “one of the nation’s best kept ballet secrets” in 2004 after Mills’ world premiere of The Taming of the Shrew, commissioned by and performed at the John F. Kennedy Center for the Performing Arts in Washington, D.C. The Company’s first Kennedy Center invitation in January of 2002 was to perform Mills’ A Midsummer Night’s Dream.  Ballet Austin presented a variety of Mills’ works at The Joyce Theater (NYC) in 2005 and returned to the Kennedy Center in collaboration with The Suzanne Farrell Ballet in 2008 and for the Ballet Across America Festival in 2013.

In 2005 after two years of extensive research, Mills led a communitywide human rights collaboration that culminated in the world premiere work Light / The Holocaust & Humanity Project (Light). In 2006 Light was awarded the Audrey & Raymond Maislin Humanitarian Award by the Anti-Defamation League. The work made its international debut in September 2013, with performances in three cities across Israel and is the subject of the award-winning documentary film, FINDING LIGHT. In October 2016, Mills led the company through a 16-city tour of the People’s Republic of China, concluding in China’s largest city, Shanghai.

READ MORE…

ANTONÍN DVOŘÁK
Music

Biography

BRYCE DESSNER
Music

Biography

Bryce Dessner is a vital and rare force in new music. He has won Grammy Awards as a classical composer and with the band The National, of which he is founding member, guitarist, arranger, and co-principal songwriter. He is regularly commissioned to write for the world’s leading ensembles, from Orchestre de Paris to the Los Angeles Philharmonic, and is a high-profile presence in film score composition, with credits including The Revenant, for which he was Grammy and Golden Globe nominated, Fernando Mereilles’s The Two Popes, Mike Mill’s C’mon C’mon and the forthcoming Bardo, by Alejandro González Iñárritu.

Dessner collaborates with some of today’s most creative and respected artists, including Philip Glass, Katia and Marielle Labèque, Paul Simon, Alejandro González Iñárritu, Sufjan Stevens,  Fernando Mereilles, Thom Yorke, Bon Iver, Nico Muhly, and Steve Reich, who named Dessner “a major voice of his generation.” Dessner’s orchestrations can be heard on the latest albums of Paul Simon, Bon Iver and Taylor Swift.

Bryce Dessner has had works commissioned and premiered by today’s leading conductors including Esa-Pekka Salonen, Gustavo Dudamel, Semyon Bychkov, and Santtu Matias-Rouvali. This season alone sees performances of his works by, amongst others, London’s Philharmonia Orchestra, Orchestre de Paris, BBC Symphony Orchestra, HR Sinfonieorchester, Scottish Chamber Orchestra, and San Francisco Symphony. New works Violin Concerto – commissioned by partners including Orchestre de Paris, Philharmonia Orchestra and San Francisco Symphony – and Mari, commissioned and performed by Tonhalle Orchester Zurich, Leipzig Gewandhaus Orchester, Czech Philharmonic, Oslo Philharmonic and BBC Symphony Orchestra – have been met with widespread public and critical success.

READ MORE…

MEET THE ARTISTS

STEPHEN
MILLS

Choreography
Desire

Known for his innovative and collaborative choreographic projects, Stephen Mills has created over 60 premieres for Ballet Austin and has works in the repertoires of companies across the United States and around the world.

His inaugural season as artistic director in 2000 attracted national attention with his world-premiere production of Hamlet, hailed by Dance Magazine as “… sleek and sophisticated.” The Washington Post recognized Ballet Austin as “one of the nation’s best kept ballet secrets” in 2004 after Mills’ world premiere of The Taming of the Shrew, commissioned by and performed at the John F. Kennedy Center for the Performing Arts in Washington, D.C. The Company’s first Kennedy Center invitation in January of 2002 was to perform Mills’ A Midsummer Night’s Dream.  Ballet Austin presented a variety of Mills’ works at The Joyce Theater (NYC) in 2005 and returned to the Kennedy Center in collaboration with The Suzanne Farrell Ballet in 2008 and for the Ballet Across America Festival in 2013.

In 2005 after two years of extensive research, Mills led a communitywide human rights collaboration that culminated in the world premiere work Light / The Holocaust & Humanity Project (Light). In 2006 Light was awarded the Audrey & Raymond Maislin Humanitarian Award by the Anti-Defamation League. The work made its international debut in September 2013, with performances in three cities across Israel and is the subject of the award-winning documentary film, FINDING LIGHT. In October 2016, Mills led the company through a 16-city tour of the People’s Republic of China, concluding in China’s largest city, Shanghai.

READ MORE…

CHRISTOPHER
WHEELDON

Choreography
Polyphonia

CHRISTOPHER WHEELDON, OBE (Director & Choreographer) trained at The Royal Ballet School and joined The Royal Ballet in 1991. In 1993, he joined New York City Ballet and was promoted to Soloist in 1998. He was named NYCB’s first Resident Choreographer in July 2001. Since then, Mr. Wheeldon has created and staged productions for many of the world’s major ballet companies: San Francisco Ballet, The Bolshoi Ballet, The Mariinsky Ballet, The Paris Opera Ballet, and Hamburg Ballet among others.

In 2007, Mr. Wheeldon founded Morphoses/The Wheeldon Company and was appointed an Associate Artist for Sadler’s Wells Theatre in London. Mr. Wheeldon now serves as Artistic Associate of The Royal Ballet. He has created many works for the company, including the full-length Alice’s Adventures in Wonderland and The Winter’s Tale, both of which were co-productions with The National Ballet of Canada.

In 2012, his ballet Cinderella premiered at Het Nationale Ballet and is making its way to audiences worldwide. For the Metropolitan Opera, he choreographed Dance of the Hours for Ponchielli’s La Gioconda (2006) and Richard Eyre’s production of Carmen (2012) as well as ballet sequences for the feature film Center Stage (2000) and the musical Sweet Smell of Success on Broadway (2002). Mr. Wheeldon created a special excerpt for the Closing Ceremony of the London 2012 Olympics, and in April 2016, he was the Artistic Director for the Fashion Forward exhibition in Paris at La Musee Arts et Decoratif.

READ MORE…

JESSICA
LANG

Choreography
ZigZag

Jessica Lang is an American director and choreographer based in New York City. She is Resident Choreographer of Pacific Northwest Ballet and Artist in Residence at Sarasota Ballet.

Since 1999, Lang has created more than 100 original works on companies worldwide including American Ballet Theatre, The Royal Ballet, Birmingham Royal Ballet, Alvin Ailey American Dance Theater, Pacific Northwest Ballet, the National Ballet of Japan, The Joffrey Ballet, and her eponymous company Jessica Lang Dance, among many others.

For more than two decades, Lang has worked extensively for American Ballet Theatre. Her original creations on the main company include Her Notes, Garden Blue, and ZigZag with the legendary Tony Bennett, as well as Let Me Sing Forevermore which was performed on the ABT Across America nationwide tour and featured regularly on Celebrity Cruise entertainment programs. Lang has created seven ballets on ABT Studio Company including Children’s Songs Dance in collaboration with music icon Chick Corea. Additionally for ABT, Lang was part of the founding faculty of the Jacqueline Kennedy Onassis School, a teaching artist for the summer intensives and the Make-a-Ballet program, and served as a mentor and panelist for the Incubator program. 

For opera, Lang directed and choreographed Pergolesi’s Stabat Mater at the 2013 Glimmerglass Opera Festival that was presented at Lincoln Center’s White Light Festival in 2017 performed by Jessica Lang Dance. In 2016, she choreographed San Francisco Opera’s production of Aida, directed by Francesca Zambello that was presented at Washington National Opera, Seattle Opera, LA Opera and Lyric Opera of Chicago. In 2024, Lang co-choreographed Zambello’s new production of Turandot for Washington National Opera.

READ MORE…

ARVO
PÄRT

Music
Desire

Estonian-born Arvo Pärt (1935) is one of these composers whose creative output has significantly changed the way we understand the nature of music. Since 1976, his unique tintinnabuli compositions have established a new kind of musical paradigm – a radically different approach to many aspects of music, as well as to interpretation and listening.

As one of the most radical representatives of the Soviet avantgarde, Pärt’s work passed through a profound evolutionary process: from neo-classical piano music to the individual use of dodecaphony, composition with sound masses, chance music and collage technique.

After his last and most dramatic collage piece Credo (1968), Pärt withdrew for almost eight years. In 1976, after intensive study of Gregorian chant, the Notre Dame School and classic vocal polyphony, he emerged with a new and highly original musical language which he called tintinnabuli (tintinnabulum – Latin for ’little bell’) and which has defined his work up to today.

Tintinnabuli first appeared in a short piano piece Für Alina (1976), a subsequent rush of new works included Fratres, Cantus in Memory of Benjamin Britten and Tabula rasa (1977), which remain among his most highly regarded.

In 1980 Arvo Pärt was urged by public authorities to leave the country. He and his family settled first in Vienna and then West Berlin. Important works like Passio, Te Deum, Miserere, Lamentate, Symphonie No. 4, Adam’s Lament, and numerous choral works have been created ever since and have been performed worldwide.

READ MORE…

GYÖRGY
LIGETI

Music
Polyphonia

György Ligeti was born on May 28, 1923, in Dicsöszentmárton (today named Tîrnaveni) in Romania. His parents belonged to the Hungarian-Jewish minority in Transylvania, and they soon moved with him to Cluj (Klausenburg), where he began to receive instruction in composition with Ferenc Parkas in 1941. The Nazi regime tore his family apart – his brother and father died in concentration camps, György Ligeti himself was set to forced labour, his mother survived Auschwitz.

After the war ended, Ligeti continued his studies in composing with Ferenc Farkas and Sándor Veress at the Liszt Ferenc Academy of Music in Budapest. In addition to his focus on folk music, during this period he also began to develop the concept of a micropolyphonic compositional style. Although his folksong arrangements and his compositions based on Romanian and Hungarian folk melodies were published in Hungary, his new musical ideas could first come to full fruition upon his move to Vienna. This move had become necessary for him for political as well as artistic reasons after the Hungarian revolution of 1956.

In Cologne, he became acquainted with representatives of the avant-garde such as Gottfried Michael Koenig and Herbert Eimert, who invited him to the studio for electronic music at the West German Radio (WDR). He worked there from 1957 to 1958. He was now able to study intensely the music of Mauricio Kagel, Pierre Boulez, and Karlheinz Stockhausen; he himself, however, with compositions such as Artikulation, continued to follow his own compositional path, one which had little to do with serial, structural thinking. His orchestral piece Apparitions, premiered at the festival of the International Society for Contemporary Music in Cologne, helped him to reach a wider audience. His 1961 orchestral work Atmosphères, a seemingly static structure of single voices in constant flux through minute rhythmic, intervallic, and dynamic adjustments, secured his position on the international scene. As this piece, along with his Requiem (1963-65) and the choral piece Lux aeterna (1966), was chosen by Stanley Kubrick to be included in the soundtrack for his film 2001 – A Space Odyssey, Ligeti’s music was introduced to a broader public.

READ MORE…

TONY
BENNETT

Music
ZigZag

Tony Bennett’s life and philosophy is the embodiment of the Great American Story. Having celebrated his 90th birthday on August 3rd 2016, his career as the pre-eminent singer of the 20th and 21st centuries is unprecedented. He continues to be embraced and loved by audiences of all generations.

Through his dedication to excellence and his insistence on quality, he has become the keeper of the flame by extolling the virtues and values represented by the Great American Songbook. Tony Bennett has been on the front lines of every major issue impacting the cornerstones of this country’s modern history. He has performed for eleven U.S. Presidents, is a World War II veteran who fought in the Battle of the Bulge and participated in the liberation of a concentration camp, and marched side by side with Dr. Martin Luther King in Selma to support civil rights. Throughout his life, Tony Bennett has been a dedicated pacifist and proactive humanitarian selflessly supporting many causes whose goals benefit the lives of millions. His love for his country has earned him the distinction of national treasure and the United Nations has named him a Citizen of the World as one of their foremost ambassadors.

Through his music, Tony Bennett has connected in unprecedented fashion with all generations of audiences. His commitment to humanitarian ideals has bridged our differences by highlighting what we have in common as citizens of the planet. He has fought for the hard issues when others have turned a blind eye and has remained true to the authenticity and creativity of his musical vision. Tony has achieved the Great American Dream but has never forgotten his own roots and is constantly working toward ensuring that others can achieve their dreams as well. His life story is compelling in the lessons and values that it teaches: dedication, commitment, courage, and compassion.

READ MORE…

Enjoy the benefits of attending Love’s Gentle Spring as a season ticket holder.

Receive a discount on your package

Use your discount* on any additional tickets you purchase (up to 8 per production)

Special offers before the general public

Updates from the Studio

An invitation to see our Ballet Austin TWO & Butler Fellows Dancers in their spring performance

FREE exchanges on your tickets

*Additional ticket discounts are based on your package discount (2-show package receives a 10% discount, 3-show package receives a 15% discount, 4-show and 5-show packages receive a 20% discount, up to 8 tickets per production).

Enjoy the benefits of attending Love’s Gentle Spring as a season ticket holder.

2 SHOWS
(10% OFF)

3 SHOWS
(15% OFF)

4 SHOWS
(20% OFF)

5 SHOWS
(20% OFF)

Receive a discount on your package

Use your discount* on any additional tickets you purchase (up to 8 per production)

Special offers before the general public

Updates from the Studio

An invitation to see our Ballet Austin TWO & Butler Fellows Dancers in their spring performance

FREE exchanges on your tickets

*Additional ticket discounts are based on your package discount (2-show package receives a 10% discount, 3-show package receives a 15% discount, 4-show and 5-show packages receive a 20% discount, up to 8 tickets per production).

SEPT. 27-29

DEC. 6-23

FEB. 14-16

DEC. 6-23

THANK YOU TO OUR SPONSORS

Commissioned by

DR. ROSANNE BUTERA, CHIROPRACTOR

Sponsored by

DRS. JOANN HUNTER JOHNSON & KENNETH JOHNSON

INDIVIDUAL PRODUCTION SPONSORS

Kathie & Spike Jones

Rosie & Roger Oberg

Linda Ball & Forrest Preece

Jenna Salwen

Colby Simpson & Lauren Cunningham

Jare Smith

Endowed in part by the Short Works Commissions fund through the Ballet Austin Foundation including the generosity of:

Jennene Mashburn, in loving memory of K. Ray Mashburn

THANK YOU TO OUR SPONSORS

Commissioned by
DR. ROSANNE BUTERA, CHIROPRACTOR

Sponsored by
DRS. JOANN HUNTER JOHNSON & KENNETH JOHNSON

INDIVIDUAL PRODUCTION SPONSORS

Kathie & Spike Jones
Rosie & Roger Oberg
Linda Ball & Forrest Preece
Jenna Salwen
Colby Simpson & Lauren Cunningham
Jare Smith 

Endowed in part by the Short Works Commissions fund through the Ballet Austin Foundation including the generosity of:

Jennene Mashburn, in loving memory of K. Ray Mashburn

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