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Cinderella

THIS ENDURING RAGS-TO-PRINCESS STORY OFFERS THE PROMISE OF “HAPPILY EVER AFTER.”

Stephen Mills brings this treasured fairy tale of perseverance and love to life, with a compiled score from Alexander Glazunov and live accompaniment. Add a dose of humor to the majesty of classical ballet, and Cinderella becomes the perfect way to close Ballet Austin’s 2022/23 Season with four performances on Mother’s Day weekend. 

CHOREOGRAPHY: Stephen Mills
MUSIC: Alexander Glazunov
LIVE ACCOMPANIMENT: Austin Symphony Orchestra

4 PERFORMANCES:

  • Friday, May 12, 2023, at 8 p.m.
  • Saturday, May 13, 2023, at 2 p.m
  • Saturday, May 13, 2023, at 8 p.m
  • Sunday, May 14, 2023, at 3 p.m.

Please visit our FAQs page for information about parking, discounts, and more.

Ballet Austin strives to share the excitement and beauty of live professional dance with as many community members as possible. *As a 501c3 nonprofit organization, Ballet Austin raises funds throughout the year to help defray part of the production costs in order to bring live performances to you and keep the price of our tickets as low as possible. The following information is intended to assist you as a consumer and help you have the best experience possible.

 

When you purchase directly from Ballet Austin:

  • You are assured your tickets are valid, and your seats are reserved for you/your family/your party.
  • You have access to the most affordable ticket prices.*  Ballet Austin tickets can range between $20 – $125 dollars (plus applicable fees), depending on location. If you are being asked to pay more per ticket, you are NOT buying from Ballet Austin.
  • You have the flexibility to exchange your ticket/s to another performance for a small handling fee, as tickets remain available.

If you choose to purchase Ballet Austin tickets from sources other than Ballet Austin, we recommend that you:

  • Never pay cash or use apps such as Venmo to purchase tickets.
  • Verify performance dates/times and check for sold-out performances BEFORE purchasing from a third-party seller or service by visiting the Ballet Austin website.
  • Check the Long Center’s Dell Hall seating map to confirm the existence of the seats being offered to you.   Long Center Seating Chart

 

NOTE: Issues related to tickets purchased from a third-party seller will need to be discussed with that company. Ballet Austin will have no record of these sales.

Our goal for each Ballet Austin performance is to create wonderful, lasting memories for you, your family, and your friends. If you have questions, let us help you by contacting our box office at 512.476.2163 or by email at boxoffice@balletaustin.org. We look forward to seeing you soon.

PHOTO GALLERY

Photography by Amitava Sarkar

MEET THE ARTISTS

STEPHEN MILLS
Choreography
ALEXANDER GLAZUNOV
Music
AUSTIN SYMPHONY ORCHESTRA
Live Accompaniment

BACKGROUND INFORMATION

Known for his innovative and collaborative choreographic projects, Stephen Mills has works in the repertoires of dance companies across the United States and around the world.

His international career began in 1998 after being chosen Prix d’Auteur at les Rencontres Chorégraphiques Internationales de Seine-Saint-Denis in Paris.  In his inaugural season as Artistic Director of Ballet Austin in 2000, Mills attracted national attention with Hamlet, hailed by Dance Magazine as “…sleek and sophisticated.”

Mills’ works showcased at The Kennedy Center include A Midsummer Night’s Dream, The Taming of the Shrew, and performances at the Ballet Across America Festival in collaboration with The Suzanne Farrell Ballet.

In 2005 Mills developed a community-wide human rights collaborative dialogue culminating in his signature work Light/The Holocaust & Humanity Project for which he received the Audrey and Raymond Maislin Humanitarian Award from The Anti-Defamation League. Mills contributed a podcast about Light to the Voices on Anti-Semitism series at The United States Holocaust Memorial Museum and was invited to speak about the work at The United Nations in 2014.  Light has been performed in five U.S. cities, in three cities in Israel, and was recently featured in an Emmy Award-winning PBS documentary, Sharing Light.

READ MORE…

Aleksandr Glazunov, in full Aleksandr Konstaninovich Glazunov, (born July 29 [Aug. 10, New Style], 1865, St. Petersburg, Russia—died March 21, 1936, Paris, France), the major Russian symphonic composer of the generation that followed Tchaikovsky.

Glazunov’s mother, a piano pupil of Mily Balakirev, took her obviously talented son to her teacher, and on his advice the boy in 1880 began study with Nikolay Rimsky-Korsakov. In 1882 Balakirev conducted Glazunov’s First Symphony. A revised version of the piece was printed in 1886 by M.P. Belyayev, a millionaire timber merchant and founder of the famous Belyayev music-publishing firm that Glazunov later helped direct. Glazunov continued to compose, producing two string quartets, two overtures on Greek folk tunes, and the symphonic poem Stenka Razin. In 1886 he finished his Second Symphony. At that time he was the recognized heir of the nationalist group and composed according to their principles; he also absorbed the influence of Franz Liszt, whom he visited in Weimar, Germany, in 1884. Other influences, notably Wagner’s and Tchaikovsky’s, were later evident. Most of Glazunov’s best works—the fourth, fifth, and sixth symphonies and his ballets Raymonda, Ruses d’amour, and Les Saisons (“The Seasons”)—date from the 1890s. He finished his Violin Concerto in A Minor in 1904 and last complete symphony, the eighth, in 1906. In 1905 he became director of the St. Petersburg Conservatory, where he had taught since 1899. He wrote few large-scale works after 1906: two piano concerti (1911 and 1917), two string quartets (1920 and 1930), the Concerto-Ballata for Cello and Orchestra (1931), and the Concerto for Saxophone, Flute, and Strings (1934). After the Revolution of 1917 he remained at his post until 1928, when, feeling isolated, he left the Soviet Union. After an unsuccessful tour of the United States (1929–30) he lived in Paris.

Biography courtesy of Britannica.com

About the Austin Symphony Orchestra

The mission of the Austin Symphony Orchestra Society, Inc. is to enhance the cultural quality of life for the adults and young people of Austin and Central Texas by providing excellence in music performance and educational programming.”

Founded in 1911, the Austin Symphony Orchestra is Austin’s oldest performing arts group. The ASO offers a complete season of musical and educational programming. Masterworks concerts include a series of eight concert pairs running monthly September through May in the state-of-the-art Joe R. & Teresa Lozano Long Center for the Performing Arts. Our season also features the Sarah & Ernest Butler Pops Series: October & February Pops at the Long Center and December & June Pops at Palmer Events Center. Programming for the entire family includes the Halloween Children’s Concert, and the Christmas in the Community, as well as the popular James C. Armstrong Youth Educations Programs, which include Children’s Day Art ParkYoung People’s ConcertsHigh School Concert Tour and a variety of other school programs.

Symphony Square at 11th and Red River is home to the ASO’s administrative offices. This complex of four historic Austin buildings (two of which are owned by the ASO and Waterloo Greenway) is also home to the Women’s Symphony League of Austin.

Please Note: As of January, 2021 our new temporary administration office is located at 1806 Rio Grande St., Austin, TX 78701.

Music Director, Maestro Peter Bay: https://austinsymphony.org/about/conductor/

Austin Symphony Orchestra Musicians: https://austinsymphony.org/about/musicians/

THANK YOU TO OUR SPONSORS

CLARA & PAUL BANCROFT

INDIVIDUAL PRODUCTION SPONSORS

VIRGINIA & GILBERT BURCIAGA

EMILY & RYAN DEISS

GLORIA EVANS

WADE GILES & JEFF SCHAB

GEORGIA & DON HENRICH

KATIE & JESSE NEWLAND

THE NORROD FAMILY

MELISSA PEREZ & PAUL RASHIDI

WANDA A. REYNOLDS

JARE SMITH

JUDGE GEORGE C. THOMAS & JOLSNA JOHN THOMAS

GOVERNMENT FUNDING SPONSORS

Supported in part by awards from the Texas Commission on the Arts and the National Endowment for the Arts.

2022/23 Season Sponsors

Season Underwriter

Season Sponsor

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Audience Engagement Underwriter

2022/23 Season Programs Provided by

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