What I think a lot of people don’t know is that the Grimms’ tales began as women’s oral tales, so they’re a way for women to represent their fears and anxieties and desires at a time where they were quieted by the church or the state. So they are a little bit transgressive,” says Frank of her source material. “Stephen’s company feels like a contemporary set of dancers: the bodies, ethnicities, genders–it’s very nontraditional, in the same way these tales aren’t traditional.” Ballet Austin artistic director and choreographer Stephen Mills was inspired by an exhibition of New York-based artist Natalie Frank’s work and accompanying book, aptly titled “Grimm Tales.” Frank’s colorful drawings underscore the provocative nature and feminist voice of the Grimms’ stories, an element that has also been adapted into the world of ballet. Frank’s work will be incorporated into the production through onstage projections and animations, and she has teamed with Tony-nominated costume designer Constance Hoffman. While Hoffman is charged with the ballet’s costumes, the pair are collaborating on the textile design, and the entire process has taken a collaborative shape, with each element—including set design by George Tsypin and music by Graham Reynolds—impacting the various parts.